My favorite Christmas movie is "It's a Wonderful Life." My favorite Hitchcock film is "Rear Window." I'd love to see a movie that combines the two.
Thursday, December 20, 2012
Wednesday, December 12, 2012
This illustration appears on today's NY Times Opinion page, alongside a letter suggesting the creation of a progressive third political party to caucus with the Democrats. The drawing was a self-initiated challenge in drawing equine legs. Thanks to art director Alexandra Zsigmond for the gig!
Monday, December 10, 2012
Tuesday, November 27, 2012
Monday, November 19, 2012
Tuesday, November 13, 2012
Monday, November 5, 2012
Friday, November 2, 2012
Tuesday, October 30, 2012
Tuesday, October 16, 2012
Tuesday, October 9, 2012
Tuesday, October 2, 2012
Tuesday, September 25, 2012
Tuesday, September 18, 2012
Tuesday, September 11, 2012
Tuesday, September 4, 2012
Keeping a sketchbook is essential for the working cartoonist or illustrator. It's a place to draw freely without the fear that someone will see your poor rendering of a bicycle. It's a place to return for reference about what a bicycle (sort of) looks like. It's a place to stow away underdeveloped or misguided ideas, in hopes they'll someday amount to something. It's a place to search madly for usable ideas when faced with a serious creative block. A visual artist who doesn't keep a sketchbook is like an author who can't find the time to read: they may be able to get the work done, but they won't have near as much fun doing it.
Tuesday, August 28, 2012
Tuesday, August 21, 2012
Sunday, August 19, 2012
After spending a couple days on the beaches of New England, I had the opportunity to illustrate the Sunday Dialogue for the New York Times Sunday Review. The topic was the (unfairly?) maligned baby boomer generation. I shamelessly included images from my seaside sketchbook: a sailboat, rocky coastline, and an aggressive seagull.
Friday, August 17, 2012
Tuesday, August 14, 2012
The inimitable Iris Abramof offered to translate some of my comics into Portuguese, and I happily said yes. She's tackled a number of my favorite Incidental Comics from the past couple years. I'll post the Portuguese translations regularly this month along with links to the original versions. My hope is that I can parlay these drawings into a trip to Brazil for the 2014 World Cup or the 2016 Summer Olympics - maybe I could serve as ambassador of webcomics? Thanks again to Iris for her help.
Read the English version here: Play Each Day Like Jazz
Please note that posters of the translated comics are available at my print shop.
Tuesday, August 7, 2012
In my exhaustive research for today's comic, I read that John Steinbeck often signed his books with a drawing of the Pigasus, a mythical flying pig. He also included the Latin motto "Ad astra per alas porci":
"To the stars on the wings of a pig."
You can order a poster here.
Tuesday, July 31, 2012
Tuesday, July 24, 2012
The extent of my painting education was a half-semester of independent study in high school. I learned the dangers of using turpentine brush-cleaner in a poorly ventilated room, the frustration of using watercolors on thin, cheap paper, and the incredible length of time it takes for oil paint to fully dry. A couple years later, I gave up painting for the boundless rewards of cartooning.
Tuesday, July 17, 2012
Tuesday, July 10, 2012
Tuesday, July 3, 2012
Tuesday, June 26, 2012
This comic peripherally references Life in Hell, the great and recently-concluded weekly comic strip by Matt Groening. The overmatched protagonist is wearing a Bongo costume. After I drew this comic, I found out that Groening's strip was ending its 32-year run.
Tuesday, June 19, 2012
"Writing about music is like dancing about architecture."
- Famous saying of indeterminate origins
"Dancing about architecture is awesome."
- Not-so-famous saying
You can get a poster here for your architecture/dance studio.
Thursday, June 14, 2012
I coerced a friend and classmate (who wishes to remain anonymous) into translating my Murakami Bingo comic into Japanese. Big thanks to this mysterious person for her hard work!
The translated version is also available as a poster.
Wednesday, June 13, 2012
Shuttlecocks, Nelson-Atkins Museum of Art, Kansas City, Missouri
Spoonbridge and Cherry, Minneapolis Sculpture Garden, Walker Art Center, Minneapolis, Minnesota
Clothespin, Centre Square Plaza, Philadelphia, Pennsylvania
Wednesday, June 6, 2012
For a great introduction to this science fiction subgenre, I recommend Steampunk! An Anthology of Fantastically Rich and Strange Stories edited by Kelly Link and Gavin J. Grant. Kelly Link's story "The Summer People" is phenomenal, as is the rest of her work.
Friday, June 1, 2012
I've spent the last few years devouring the books of Haruki Murakami. Twelve novels, three short story collections, and one memoir later, I came up with this comic. If you have yet to experience the genius of Murakami, keep this Bingo card handy as you delve into his work. I recommend starting with The Wind-Up Bird Chronicle, Kafka on the Shore, or Hard-Boiled Wonderland and the End of the World. You can find this comic in print in Sunday's New York Times Book Review.
Tuesday, May 29, 2012
Wednesday, May 23, 2012
Friday, May 18, 2012
I had the privilege to illustrate this week's It's the Economy column for the New York Times Magazine. Adam Davidson's article described consumer signaling, messages sent by companies to suggest the superior quality of their product. This assignment gave me the chance to brainstorm a wide range of products for discerning individuals and conquer my fear of drawing cars.
Also: two of my recent literary comics, Behind Every Great Novelist and The Book of the Future, are now available to purchase as prints at my poster shop.
Wednesday, May 16, 2012
Friday, May 11, 2012
Wednesday, May 9, 2012
Monday, May 7, 2012
While browsing the unwanted books section at a local thrift store, I came across an amazing item: The Elements of Color by Johannes Itten. The book's subtitle is "A treatise on the color system of Johannes Itten based on his book The Art of Color," and the contents are full of beautiful diagrams and fascinating (if a tiny bit overblown) writing on the practice and history of color theory. It was definitely worth the $2.99 spent. I adapted some of the figures within the book for this comic. I loved the way Itten wrote of the colors as if they were living, breathing entities, with the capacity for good - or evil.