If you haven't experienced the sculptures of Claes Oldenburg and Coosje van Bruggen, first visit the artists' website. Then make a pilgrimage to see one of their giant household objects in person. Here's a quick list of the iconic pieces I drew for this comic:
Shuttlecocks, Nelson-Atkins Museum of Art, Kansas City, Missouri Spoonbridge and Cherry, Minneapolis Sculpture Garden, Walker Art Center, Minneapolis, Minnesota Clothespin, Centre Square Plaza, Philadelphia, Pennsylvania
If you're a fan of horror and/or horticulture, you can order an 11"x17" print of this drawing. Email me at gsnider11@gmail.com or visit http://www.flickr.com/photos/incidentalcomics for details.
Like most of my work, I can't quite pinpoint where the idea for this one came from. I remember taking a trip to Botanica, The Wichita Gardens as a kid, then drawing one of its fountains the moment I got home. But instead of sketching a regular fountain, I turned it into an fountain-shaped alien! Another possibility: my grandfather was a retired landscape architect for the National Park Service, and he had a backyard that was a forest of Ponderosa Pines. He told us that the piles of rocks scattered throughout the forest were old Indian graveyards. The idea fascinated and terrified me. I didn't quite believe him, but I was still afraid to peek out the window into the dark forest at night.
This week marks the beginning of Kansas City's Heart of America Shakespeare Festival, a free professional production held yearly at a park next to the Nelson-Atkins Museum of Art. It's always spectacularly done, and you have to marvel at the actors for braving the Missouri heat and humidity in full costume. A couple years ago, my wife and I were kicked out of "Othello". Not for drunken heckling, but for smuggling in a small poodle. We were escorted out of the park during intermission, four-pound dog in hand.
Special thanks to sculptor Tom Otterness (a fellow Wichita, KS native), Leonard Bernstein and Stephen Sondheim, and anyone who's managed to snap a photo of the elusive Bigfoot.
Is this why you draw? You can pick up a print in my new and improved poster shop.
Caution: do not try to attend any of these shows. The venues are real (some of the finest drinking establishments in Kansas City, MO and Lawrence, KS), but the dates are fictional. As for the bands, well... I think you may have seen many of them in concert yourself.
This Friday, I'll be drawing ferociously (alongside a formidable group of local artists, architects, and designers) for a great cause: The 2nd Annual Monster Drawing Rally, sponsored by Women in Design-Kansas City. All proceeds from the sale of drawings will benefit Synergy Services, a non-profit violence-prevention program. Here are the details, straight from the Facebook event posting:
This is my contribution to a 2011 calendar featuring the work of twelve Kansas City illustrators and cartoonists. For the month of April, I imagined some intrepid oral surgeons hunting the great white maxillary molar. For fellow dental nerds, they're wielding a Molt 9 periosteal elevator, 150 forceps, and 301 elevator. Anatomically correct teeth lurk just below the surface. Cartoonist Bryan Stalder was responsible for corralling and motivating the featured artists in the calendar, which is available for purchase here: http://www.etsy.com/listing/63426488/2011-calendar.
I'll be speaking at KC's All Souls Unitarian Universalist Church (4501 Walnut) this Sunday, September 26 at 10 AM. The presentation's entitled "Drawings of Fake Bands, Strange Families, and Imaginary Places," in which I'll examine how tiny drawings in pen and marker grew to consume my very existence. I'll also discuss my influences, my haphazard creative process, and the dangerously glamorous field of newspaper cartooning. Fellow Catholics - I checked with the pope - this will fulfill your weekly mass requirement!